Showmen’s Rest – Part 2
Circus Train Wreck Victim
Ted Svertesky
1954 – 1994
Just after 9:00 in the morning on January 14, 1994, a 53-car Ringling Bros. and Barnum & Bailey circus train headed northbound from St. Petersburg to Orlando for their next show. Rolling along at 38 mph, many of the 150 performers inside were still asleep or just waking up after the previous night’s show when a wheel on one of the passenger cars broke, sending 13 passenger coaches and three flat cars off the tracks. Five of the cars were thrown on their sides.
As the survivors wandered out of the wreckage into the morning fog, they discovered that two of their own had lost their lives in the accident, and fifteen more were injured.
Ringling officials called the train accident their worst in more than 100 years.
Theodore ”Ted” Svertesky, a 39-year-old elephant trainer was found dead in a sleeper car.
Ceslee Conkling, a 28-year-old clown from Fort Worth, Texas, was also killed. She was missing for four hours before her body was found.
None of the 60 circus animals, including lions, tigers and elephants, was hurt. They were traveling in cages at the front and rear of the 53-car train, which broke in the middle.
Ironically, a news helicopter crashed while covering the accident. A photographer received minor injuries, and the pilot was admitted to a hospital with neck and back injuries.
Born in Connecticut, Theodore H. Svertesky was fascinated with the circus and elephants from an early age. As a child he would talk about it, dream about it and build circus models. When he was only 13, Ted ran away from home to join a circus only to be returned the following day by his parents. Four year later at 17 he joined a circus again and this time stayed.
Ted started off doing odd jobs with the elephants, and took every chance to learn about the creatures from the best trainers in the business.
By 1994 Ted headed the Ringling Elephant Farm, a research and breeding facility and oversaw the breeding of Romeo and Juliette, two yearling Asian elephants that were headlining the show. This was Ted’s first road trip with the circus as the presenter of the elephant act in the show.
“It’s kind of a way of life more than a job,” said the 39-year-old trainer from Bridgeport in an interview the week before he died.
Ted’s wife Patty Zerbini, who helped oversee the 10 elephants – including babies Romeo and Juliette, stayed with the show after the accident. She and her two sons, Anthony and Christopher, travel from town to town in their mobile home.
Terry Fenne
(1959 – 2006)
Terry Fenne always told people that if they ever stopped by Showmen’s Rest to “Stop by and have a seat on me.” True to his word, his marker is a beautiful bench, engraved with his signature, photo and the logos of some of the circuses he worked for through the years.
I apologize that, due to the fact that it was raining quite hard when I took these photos the engraving on top of the bench doesn’t appear clear.
Fenne literally ran away from his home in Madison, Wisconsin to join the circus at age 14. He worked for six different circuses including: Fisher Brothers Circus, Circus Genoa, Clyde Beatty-Cole Brothers Circus, Roberts Brothers Circus, Kelly-Miller Circus and Carson & Barnes Circus.
Known as the “Mud Show Elephant Man” he trained elephants and drove the elephant truck across the country for many years.
The last few years of his life, he operated an umbrella hot dog pushcart in downtown Paris, Texas, and became a fixture of the town.
Dudley Warner Hamilton
(1929 – still living)
Hamilton grew up in west Texas, the youngest of eight children. He served in the U. S. Air Froce and worked for the Texas Highway Patrol.
Avid circus fan, and a longstanding member of the Circus Fans Association of America. His attendance at the CFA annual conventions led him to Hugo, where he me the Geneneral Manager of Carson & Barnes. He took early retirement at age 54 and joined Carson & Barnes as a booking agent. He became so successful that for the next 20 years he trained other booking agents
He was also press agent and ran the pie car when needed
He moved over to Kelly Miller, and eventually became Winterquarters Manager. He was know for volunteering his time to help others, especially young circus people. He gave tours of Showmen’s Rest and served on the Circus City Museum and Park Board.
DUDLEY WARNER HAMILTON
JAN 12, 1929
STILL LIVING
Dudley Hamilton is currently the winter quarters superintendent of the Kelly Miller Circus. He was an agent for both the Carson & Barnes Circus and the Kelly Miller Circus.
Dudley’s monument features an impressive elephant long mount which was taken from a Carson & Barnes Circus poster with four showgirls. The monument also has a large shade tree which Dudley said he thought would add to the scene and the words
MAY ALL YOUR DAYS BE CIRCUS DAYS
on the front of the gravestone and the logos of Kelly Miller Circus and Carson & Barnes Circus on the back of the monument.
Joe Wallace Cooper
(1937 – 2000)
Joe Cooper was a circus agent who worked for Allen Bros. Circus, Culpepper – Merriweather Circus, Carson & Barnes Circus and “was on the road” contracting for the Kelly Miller Circus when he passed away. He was the nephew of circus agent Dudley Hamilton, whose stone is featured above this one.
On the front of the monument are the words: “Big Top Circus Agent,” and the sentiment “He gave with world a smile each day is engraved on the base. The back of this colorful stone features the logos of all four circuses with whom he associated.
Next week I’ll wrap up with a few amazing markers from Showmen’s Rest before moving on to share some beautiful stones from one of Texas’ most historic cemeteries. I hope you’ll join me!
Glenwood’s angel is one of five of these mournful creatures that can be found in Texas.
These five Texas angels, as well as others across the world, are based upon the “Angel of Grief,” a 1894 sculpture by William Wetmore Story. It serves as the grave marker of the artist and his wife at the Protestant Cemetery in Rome, Italy.
May is my favorite time to take photos there, because the city allows the coreopsis of spring to overtake the cemetery for the month. No one can resist veering off the main avenue to enjoy a closer look
The professor conducted the academy from his house on Twenty-fourth street, one door south of Church Street opposite the Tremont garden. It contained two classrooms “besides every other convenience for an institute as also a large garden with fine shrubbery and a good cistern.”
urs were from nine in the morning until four in the afternoon. Subjects included English, French and German languages, history, geography, astronomy, and arithmetic, each taught in “an agreeable style.”
ma.
After the war’s end he launched a small show conducted under a canvas tent. The Clyde Beatty motion picture show was enjoyed along with a trained chimp, wrestling bear, pony show, a singing and dancing number by his daughter Wanda, and Happy Hanks hillbilly Show. It must have been amazing to many of the small towns they visited
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ve marker) – first with Chatita (Chata) Escalante (1911-1985) then his second wife Maricela Sanchez Hernandez.
I was glad I had the answer to share with her. Yes, there is a difference although we tend to use the two terms interchangeably.
Wooden coffins, which came into use around the early part of the 16th century in the western world, typically have six sides, and the lid lifts off completely. Once the deceased was placed inside, the lid was nailed shut. Think about the classic Halloween decoration or old black-and-white vampire movies, and you have the idea.
The Greek word “kophinos,” meaning basket, refers to the fact that wicker baskets were used in days gone by. There is a new interest in utilizing them for “green burials.”
“Fittings” or “coffin furniture” were/are external details such as crucifixes, handles and name plates. The local mortician would often offer “rental” of such adornments which would then be removed immediately before burial.
used to transport a deceased person it is called a “pall,” hence the term “pallbearer” for those that carry it. The word can also refer to a cloth used to drape over the coffin.