I recently learned that the former Ranger’s Cottage at Varner-Hogg Plantation in West Columbia is now available to rent for overnight stays. I didn’t hesitate to make a reservation immediately!
The Varner Hogg Plantation is a State Historic Site featuring the original plantation home and several outbuildings. See my previous post for more about it: https://bit.ly/2Nxki0L
Though the website had basic information about the cottage, the photos online don’t do it justice. Being a Girl Scout leader, I know that the word “cottage” sometimes means extremely rustic and bare bones. While that won’t scare me away, I was pleasantly surprised with this location.
Built in the 1920s, the Ranger’s cottage sits slightly back across the site road from the main house, beneath large pecan trees that probably predate my grandmother.
Rocking chairs and a bistro table and chair set wait on the porch, inviting guests to linger and enjoy the immense trees, heavily draped with Southern moss. I honestly wasn’t sure I’d get much further, since I have in incurable weakness for porches, but I’m glad I did.
The entire cottage has been updated and decorated with comfortable, modern furnishings. No detail has been overlooked in making each room a welcoming space. The living room even has a basket of monogrammed blankets so family or friends can curl up on the sofa to enjoy an evening movie.
A stairway from the rear of the cottage leads to the second floor, and an additional full bath and two large bedrooms. Again, I was surprised by the size of the rooms, considering the age and original use of the cottage!
The yellow bedroom with twin beds and floral bedding seemed bright and cheery even on the dreary rainy day that I arrived.
The second upstairs bedroom was decorated in a lovely shabby chic violet, with full beds.
The cottage was so comfy, it would have been easy to just nest inside, but of course one of the major advantages of staying on site at the plantation is being able to explore the grounds even after visiting hours. Everything on site is within easy walking distance, including the main house, the ruins of the sugar mill and slave quarters, picnic grounds, the old family cemetery and more.
It was a special treat to wander around after an evening rain taking in the beauty and history while being serenaded by the frogs in Varner Creek.
I’m already planning a girls’ trip to share this wonderful find!
For information about making a reservation for your stay at the Varner-Hogg Plantation, visit https://bit.ly/2oHdpkB
Have you ever stayed at a historic site? If so, which one and did you enjoy it?
The Varner-Hogg Plantation Historic Site shares the story of three owners and their families.
Martin Varner came to the area in 1824 and was granted 4,428 acres by Stephen F. Austin. Along with the two male slaves they brought to the area, his family raised a small amount of livestock and established a rum distillery.
Ten years later, Columbus R. Patton moved from Kentucky with a large number of slaves. He became active in politics and served in the Texan army. During the years the plantation was known as the Patton Place, between 40 and 60 slaves made bricks by hand, constructed a plantation house, smokehouse, sugar mill and their own living quarters.
The two-story sugar mill, which sat across Varner creek within sight of the front porch (now the back) of the main house, made Patton highly successful.
His long-running, open relationship with a slave named Rachel was unpopular in the community. She had many of the rights a white wife would have, and was known to have ruled over the other slaves in a harsh manner.
Patton’s extended family also disapproved, and his nephew and brother were disinherited by Patton because of their actions against her. The extended family had Patton declared insane in 1854, and had him committed to an asylum in South Carolina where he died in 1856. After his death and a prolonged court battle, Rachel was granted her freedom and an annual stipend.
Between 1869 and 1901, the site changed hands several times. Many of the original buildings, including the slave quarters and sugar mill were destroyed during the 1900 hurricane.Governor Hogg purchased the plantation in 1901, convinced that there were oil reserves beneath the land. His 1906 will recommended that his children retain the mineral rights, and the discovery of oil a short time later made the family extremely wealthy.
His daughter Ima was a renowned collector of antiques and decorative arts, and furnished the main house with exquisite pieces before donating the plantation to the state of Texas in 1958.
A much smaller set of stairs, tucked beneath what was possibly an original eave, then leads from the third floor to the glassed-in cupola atop the plantation house.
A feature of the plantation site that kids find especially fun is
“Governor Hogg’s Tub” and Swimming Hole.
Fed by a natural spring creating a small fountain from a pipe, the water is retained in a square, brick lined “tub” before continuing to a small lake. The well-maintained feature is now enjoyed by local wildlife.
Rosenberg’s historic downtown district has been undergoing a revitalization in the past few years. It’s so great to see the number of buildings that have been standing along the streets housing local businesses for generations.
Among the businesses now are a few impossible to resist antique and gift stores, including Once Again Antiques at the corner of Third Street and Avenue F.
And you won’t believe the fun connection it has to a notorious couple!
In 1934, the Eagle Cafe was housed in this building, and a favorite among locals. One day, Bonnie Parker and Clyde Barrow (yes, THAT Bonnie and Clyde!) came in and sat down. Even in the age before electronic media, their faces were easily recognizable, so it’s a bit surprising that no one confronted them or left to get the police.
The couple sat down, ordered lunch and ate it without ever looking up or making eye contact with the staff or other customers. Can you imagine how exciting, and perhaps a bit unnerving, it must have been for the locals inside?
It shouldn’t have been too surprising to have spotted them in town, since Bonnie was from Roweena, Texas and Clyde was from Ellis County, near Dallas.
When they finished their meal, they returned to their car, which they had left running out front, and left.
Shortly after this particular stop in Rosenberg, the couple was killed in a shootout in Louisiana.
These days the building is filled with happier reminders of the past, in the form of antiques. The charming co-owner proudly pointed out the small sections of exterior wall at the front where they uncovered “ghost signs” or remnants of original painted ads. They preserved them so that future generations could enjoy their find.
Once Again houses the booths from 18 different vendors and one of the best assortments of antiques I’ve seen in a long time. They also have a few art pieces, like these adorable “canines” made from antique toasters, cameras, spoons and other amusing parts. They’re worth the stop all by themselves, but the history of the building makes the visit pretty memorable, too!
I love a good mystery, and a dash of romance just makes it better, right?
The iconic Rose Window at Mission San Jose in San Antonio is one of the most famous windows in the world. Along with other features of five Spanish missions in the area, it is listed as one of the details that distinguish it as the first World UNESCO World Heritage Site in Texas.
Sculptor Pedro Huizar carved the quatrefoil shape entangled with the images of pomegranates, said to symbolize fertility, in 1775. Yet the ten foot tall, six-foot wide window sits only about four and a half feet above ground level. And its position in the sacristy wall (where windows were traditionally plain) and the purpose of steps leading up from the interior remain a mystery.
But what intrigues most visitors who come especially to see this ornately carved window are the legends behind it.
One version of its creation says that Huizar’s sweetheart Rosa either died or disappeared in a shipwreck on her way from Spain to be reunited with him in Texas.
Another that he carved the window in the throws of despair after the woman who he came overseas to make a fortune to win, betrayed him.
Yet another story relates that Huizar carved the masterpiece after falling in love with a wealthy woman whose family shunned him.
Which version is true? Perhaps one…or none of them. The tales most likely took shape during a period of romanticism after the 1870s in order to attract tourists.
But does it really matter? Sometimes the legends can be more intriguing than cold, hard facts.
Whatever its origin, the Rose Window has become one of the most recognized architectural features in the Southwest. Miniature replications of the window can be seen in several buildings in downtown San Antonio, and there’s even a massive version at St. Anne’s Catholic Church in Beaumont.
Which version of the story would you prefer to be true?
Imagine finding the original house deed of your Victorian home, or perhaps love letters from over 100 years ago. It’s possible you’ve been walking by them on a daily basis.
Newel posts, or the large post ending a staircase, are structurally meant to keep the rest of a staircase safely anchored, but sometimes they keep secrets as well.
In the last half of the 19th century, machinery had advanced to make the popular “new style” of broad posts on a lathe, often leaving an empty space in the middle. It’s the hollow posts that have lent themselves to the folklore of secret hiding places.
Before the cap of a hollow newel post was attached (or removed later), some owners rolled up their house deeds, original plans or other mementos and placed them in the void before it was closed. The item most often found is a coin, placed inside for good luck.
The lady of the house was, of course, aware of this hidden space as it was most likely one of the few places not easily accessible by her servants, children or spouse on a daily basis. There are many family stories of love letters from previous relationships or loved ones off at war, or documents that might reveal some tawdry detail from the owners past being found years later in a newel post.
Though most of these stories are probably the stuff of family legends, enough have been true to keep the intrigue alive.
Another feature of a newel post cap sharp eyes might spy is a small round “button” carved of ivory, whale bone or mother of pearl sometimes inlaid in the newel cap. These are called mortgage buttons or amity buttons, and signified their was no lien on the property – a point of pride for the homeowners. Not as mysterious perhaps, but interesting nonetheless.
So the next time you tour a grand home with a large newel post anchoring the staircase, ask your guide if anyone has peeked inside. There might be a story there.
I almost passed this adorable home by since I was on my way to an appointment earlier this week, but had to turn around to take its photo to share with you!
John Jacob and Wilhelmina “Mina” (Miller) Theobald built this Galveston cottage at 1605 Winnie in 1892, after they had been married 14 years. It’s a bit mind-boggling that something that seems so small and quaint in comparis
on to surrounding homes actually survived the 1900 Storm.
It must have been a lively household, with four bedrooms and eight children!
Daughter Mary Elizabeth married Otto F. Lossow in the home in Oct. 1910.
Daughter Susie married Oscar Milton Scales there in 1913. For the next few years, she ran her cut flower business out of her parents home (probably because they had the luxury of a home phone). She took orders for a wide variety of cuttings for the grand homes and special occasions of her customers, including Easter lilies, hydrangeas, callas, geraniums, larkspur. coleus, roses and more.
Her two other sisters Julie and Alice never seemed to have married, but Julia became one of the first female attorneys employed by Galveston County. There were four sons as well: George, Louis, August and Charles (who was also an attorney for the county).
John owned a large carriage and blacksmith shop on Mechanic, and built many types of specialty conveyances for locals and customers in other cities. He also had a staff of ferries (trained in the horseshoeing trade) and blacksmiths.
Mina hosted meetings of Galveston’s Young Women’s Embroidery Club at her home.
It sounds like their home was filled with beauty and joy. What a wonderful legacy.
Would you attempt to raise such a large family in this relatively small home?
When you’re a history buff, visiting historical sites is just part of any well-rounded getaway!
My sister and I just got back from a trip to Oklahoma, where we spent part of every one of our childhood summers. My grandparents’ farm was built on my grandfather’s Indian land grant (he was a Cherokee, born in 1899…but I’ll share more about him later).
On our way to find the farm again, we decided to go to Pawhuska to visit the Pioneer Woman Mercantile and the ranch where Ree Drummond films her Food Network show.
In addition to that, I had heard of an amazing Catholic church in town built by the Osage Indians. The stunning stained glass windows are the feature that draws most visitors to this historic church.
Before we left on our trip, I called the Immaculate Conception Catholic Church, and confirmed that we would be able to take a tour on the day we planned to be in town. The lovely lady who answered the phone assured me that she would be there. If you plan to go, you can also check their Facebook page for details.
Pulling into the parking lot, there is nothing particularly grand about the exterior appearance of the structure, but the moment we stepped inside it took our breath away.
The 22 windows in the sanctuary are considered to be among the most unusual stained glass of any church in the United States. Traditional Catholic windows feature biblical scenes, and twenty of those found in this church do as well.
The other two, however, depict images of people who were alive at the time the church was erected – which is strictly against Catholic guidelines. The Pope gave special dispensation for these to be created as an acknowledgement of the special relationship between the Osage and the Catholic missionaries.
But I’m getting ahead of myself. First I’d like to share just a bit about the history of the church itself, which is as interesting as its details.
The church is known in the Pawhuska area as the Cathedral of the Osage.
Knowing that the Osage in the area may have been the richest people per capita in the world at the time may come as a surprise to many, but definitely explains the exquisite cathedral and its rich details.
In the beginning of the 20th century when oil was struck on Osage land, the tribe suddenly went from one of the poorest tribes to the richest.
The men are said to have driven the finest cars and simply replaced them if they broke down or got a flat tire. The women of the tribe walked the streets of town with diamonds on their shoes.
Their parish priest at the time was Father Edward Van Waesberghe, who laid out plans and designs for the church around 1910. The priest even did much of the brickwork himself, aided by Osage members.
Inside the church, the ceiling is a series of cross-ribbed arches, painted with a pattern that mimics traditional Osage ribbon work.
Ribbon work patterns also appear as details in many of the stained glass windows.
The altar, draped with an Indian blanket, and statues were made by the same craftsmen who supplied them to the famous Loretto Chapel in Santa Fe, New Mexico.
Osage oil money built the church, and enabled the tribe to afford exquisite stained glass ordered from the Bavarian Art Glass Company in Munich Germany.
Being created in a country in the midst of World War I held dangers for such fragile masterpieces however, and for a while the German artisans buried the almost completed windows in a local sandy river bank in Munich to protect them from possible shelling.
The artisans themselves traveled to Oklahoma with the 36 foot tall windows, which were shipped in sections to Pawhuska and placed in the church prior to its completion in 1916.
Each of the windows is a stunning masterpiece, with the brilliant red panes achieved through the addition of gold dust.
The two most unique windows in the cathedral feature the images of Native Americans.
The ‘Columbus Window’ in the south transept depicts the Pentecost scene on the upper panels, and Christopher Columbus’ first encounter with Native Americans in the New World on the lower panels. It was donated by the William S. Mathews family.
Opposite this window, on the north side of the building though, is the exceptional work of art that many travel from around the country (and world) to see in person.
The ‘Osage Window’ portrays the scene of Jsesuit missionary Father John Shoenmakers, known as ‘Black Robe,’ bringing Catholicism to the Osage Nation, at a time when the tribe lived in Kansas before they were moved to Indian Territory. Shoenmakers was held in such high regard by members of the tribe that his name, as Sho-Mink-Ah, is now used as the Osage word for priest.
In addition to the clergyman, the window depicts the images of actual people in traditional Osage dress surrounding the priest, intently listening to the word of God. Many of the tribal members were still alive at the time it was created. They include Osage Chief Bacon Rind, his wife Julia, Chief Saucy Calf, and interpreter Arthur Bonnecastle and his wife. Photographs of those included were sent to Germany along with the order for the windows. This window was donated by Rose Hill, Angie Bonniecastle and T. J. Leahy.
Two adorable little girls stand out from the rest of those pictured, partly due to their stance of staring directly out from the window. They are actual portraits of two young girls who died tragically young from the devastating smallpox disease. They represent the eternal saving power of God’s words to their souls.
Father Shoenmakers worked for 36 years among the Osage until his death in 1883.
A very small room off the vestibule holds the original baptismal font, as well as a partial view of the ‘Expulsion’ window depicting the banishment of Adam and Eve from the Garden of Eden, and the ‘Revelation of St. John.’
Only the lower half of the Eden window is visible however, until one climbs to the organ loft to view the upper half, where musical instruments appear in the design.
The same can be said of the ‘Annunciation’ window in the vestibule on the opposite side, which is partially obscured by the tightly winding steps to the loft. The roses at the feet of Mary glow impressively in the late afternoon sun.
My sister spotted the name ‘Juanita Scott’ on the donor section of one of the window, which made us smile because…although we knew it wasn’t the same person…it was our grandmother’s name.
The remaining windows at Immaculate Conception depict traditional Biblical scenes in a highly detailed and theologically symbolic manner, including ‘The Child Jesus Teaching in the Temple,’ ‘Wisdom, Age and Grace,’ ‘The Wedding Feast,’ and other classic biblical portrayals. Each one is beautifully detailed and worthy of study.
When we asked how many people attended mass there now, the guide responded about 80 to 100 people. For a cathedral of this size, that took us aback. But generations of families have been attending since the church was built, and about 80-90 percent of the parish remains a part of the Osage.
This treasure trove of glass masterworks is definitely worth a detour from any nearby trip route.