Irish Castle or Texas Courthouse? It’s Both!

   Ahhhh, romantic Irish castles. Something that makes this Irish lady’s heart swoon. But wait…this is no castle at all. It’s actually the Shelby County Courthouse in far east Texas!

   Architect John Joseph Emmett Gibson, a native of Ireland who was hired to design the building in Center Texas in 1883, wanted to give his masterpiece the appearance of the castles of his homeland complete with turrets, towers and even secret passageways.

   Gibson not only designed and oversaw the construction of the two-story Romanesque Revival courthouse, he had over two million bricks specially made for the project. The mortar was made from sand carried from forty miles away in Louisiana by oxcarts. The glass, vents, and diamond-shaped braces also made the journey from New Orleans and other Southern ports before being transported by oxen.

   It was a grand undertaking that took two years to complete, but has provided a jewel of a centerpiece to the town square for generations.

 

   A total of twelve fireplace chimneys surround the top of the beautiful structure like a crown. Accented with arched entryways, tall slender windows and diminutive buttresses, it’s topped by a frame cupola.

   The courthouse has an entry in the middle of each side, but the primary entrance is on the north facade.

   The second floor courtroom is a large and lofty space, with exposed wooden trusses supporting the roof that more give the appearance of being inside a cathedral than a courthouse. The curved alcove behind the judge’s bench helped to amplify his voice in the days before sound systems were even a dream.

   The wooden jury chairs aren’t original, having been obtained from another historic Texas courthouse in Nacogdoches. But the benches used by visitors are not only original, they display a decidedly European detail for those who take the time to look closely: metalwork feet depicting dragons’ feet, wind in back of the benches into the beasts’ bodies, wings and ending in heads peering over the top where they are swallowing their own tails. Probably not something most of the local cowboys and farmers had seen before!

   Gibson took Texas’ extreme weather into consideration in his design, utilizing high-arched windows that would open allow breezes to circulate air beneath the vaulted ceiling. It provided some relief from the summer heat, but also caused a bit of a problem with birds flying indoors. One funny story tells of the time that an errant bird circling inside the courtroom was such a distraction that the judge asked if someone could do something about it. One loud, reverberating gunshot later the distraction was gone.

   Every good castle should have at least one secret passageway, and the Shelby County Courthouse is no exception. On the floor to the left of the judge’s chair is an escape hatch (yes, really). If the verdict handed down upset the crowd, the judge could open the hatch climb down the stairs and escape through a one-way door. His deputies were in charge of keeping an eye on the crowd until he mounted his horse and got away, before releasing them for the day.

   If that were scripted into a Western, it’d be downright comical.

   The boards in the center of the courthouse come together at a point said to be the center of the county. When the building was renovated, the local Daughters of the Republic of Texas purchased an 1885 silver dollar coin to have imbedded at that spot.

   An interesting side note: In 1948, a young Texas congressman began his successful U. S. Senate campaign in front of the Shelby County Courthouse.

   The courthouse, now listed on the National Historic Register, cost $26,000 to build, and over $1 million to renovate in the 1980s. But J.J.E. Gibson was never paid for his work. Whether that was an unfortunate oversight or the county just couldn’t afford it remains a bit of a mystery. The sister to the Shelby County Courthouse, it’s identical 1885 twin in Carthage, Panola County, was unfortunately torn down in 1957.

   It probably shouldn’t come as any surprise that Texas has more historic courthouses than any other state, but did you know that of the 254 counties in the state – 242 of these treasured pieces of architecture are still in active government use? They can be a terrific focus for making a road trip checklist – helping you choose large and small towns to visit. Do you have a favorite?

Waxahachie’s Courthouse Square Kaleidoscope

     Waxahachie courthouse Square kaleidoscope takes looking at the world through rose colored glasses one step further. The Internet active artwork created by Eddie and Mary Elizabeth Phillips sits on the corner of Main and College Street, just across the street from the fabulous Ellis County Courthouse. You overlook it if you’re as entranced with courthouse architecture as I am, but it’s worth looking for! It takes the cardboard kaleidoscopes of our youth to a while new level.

     Built of scrap metal and stained glass, visitors can spin the glass wheel at one end and then look through the triangular opening at the other for a burst of ever changing colors. And the installation is near the corner streetlight it can even be enjoyed at night. (Good thinking!)

     Click these links to see videos of this kinetic beauty in action, and then make a note to give it a spin yourself when you’re in the area!

Waxahachie-Kaleidescope-1

Waxahachie-Kaleidescope-2

     Were you as fascinated with kaleidoscopes as a kid as I was?

Face It…Ellis County Courthouse Has Quite a Story!

     Stone emojis? Well, kind of! These faces silently tell the story of an unrequited love in Ellis County long ago.

     The courthouse itself is exquisite. This 1897 Romanesque Revival stunner was designed by architect J. Riely Gordon.  If you’re a fan of Texas courthouses, you’ve heard his name before, since he designed 18 of them! But this one is undisputedly his masterpiece.

     I promise to tell you more about this beauty another time, but for now we’re just going to talk about those faces! If you feel as if someone is watching you as your walk around the grounds of the courthouse square, you’re probably right.

MABEL’S FABLE

     The story goes that sculptor Harry Herley arrived in Waxahachie in 1895 to work on carvings for the courthouse project during it’s construction. The itinerant English artist moved into Mama Frame’s boarding house, where he met and fell in love with her beautiful 16-year-old daughter Mabel.

     As his work continued on the courthouse, Harry’s love for Mabel grew, and he carved her angelic countenance to top the exterior columns of the courthouse.

 

     But, as fate would have it, the love was unrequited and Mabel discouraged his constant attentions. As it became apparent to Harry that his love wasn’t returned, his disappointment slowly turned into bitterness, and the faces he carved to represent Mabel progressed from beautiful to grotesque and twisted. A lasting revenge for his broken heart.

     The townspeople weren’t too happy about the unattractive faces on the courthouse they had spend so much money to build, and one story relates that the cattlemen and farmers even tarred and feathered poor ol’ Harry and ran him out of town on a rail.

     It’s a sad, but terrific tale ripe for retelling through the generations.

Spoiler alert: If you’re charmed by the legend and would prefer

to leave it at that . . .you might want to stop reading this now.

THE TRUTH

     Mabel’s mother Hattie, although a widow, didn’t seem to be running a boarding house according to the federal census. Even if she had been, the chances are that Herley never met the Frame family.

     The biggest obstacle to this story were the characters were when it was supposedly taking place.

     The stone sculptures for the courthouse were sub-contracted to the Dallas firm of German stonemason Theodore Beilharz. Hervey, who worked for the company at the time, is created with carving the exquisite red sandstone capitals perched atop the polished pink granite columns, but he also supervised other carvers who worked on the project.

     The carvings would have been created in the Beilharz’s Pacific and Hawkins Stoneyard in Dallas and shipped to Waxahachie by rail as finished pieces, ready to mount in place.

     So…if Hervey wasn’t actually in Waxahachie, he certainly wasn’t occupied falling in love with one of its residents.

 

     There’s no record of Hervey coming to town until the summer of 1896, a year after his work for the courthouse was completed, to work on another stone carving assignment for a prominent businessman.

     It was on this trip that he met local girl Minnie Hodges, whom he married in August of that year.

     Many of Reilly’s courthouses feature faces and gargoyles, appropriate for the Romanesque style, and its likely that the design or at least the theme for the faces was under his direction. Unfortunately no records show what the intended meaning of the progression was meant to represent…which opens them up to storytelling.

     It’s still a good story, and I bet if we checked back in a hundred years..it will still be told.

     Most local lore has elements of truth woven into it. Does knowing the true stories “ruin it” for you, or make it more interesting?

     And what’s a Texas legend without a song to go along with it? To listen to Jeremiah Richey’s ditty about the Eliis County Courthouse faces, click here.