The stage of bloom of the rose indicates the age of the deceased. A bud would have represented a child, a partially opened flower would indicate someone was a teen or young adult, and a rose in full bloom would symbolize the departed had reached maturity.
No matter which stage of bloom the flower portrays, the stem is often depicted as broken as a sign that the person was lost too soon – a life cut short.
Two roses joined together stand for a strong bond such as marriage, and often appear on the joint marker of a couple.
A wreath of roses symbolizes beauty and virtue.
A garland of roses, which may be held by an angel, indicates sorrow, and a bouquet of roses stands for condolences, sorrow or grief.
So the next time you see the depiction of a rose on a gravestone, take a moment to decipher what information it can share.
A small, unassuming grave marker stands in the Trinity Episcopal Cemetery of Galveston, located at Forty-First Street and Broadway. Tough simple in design, it marks a New Year’s Day that encompassed the tragedy of the War Between the States; the day a Confederate officer embraced a dying Union officer, his own son.
When West Point graduate and military veteran Colonel Albert M. Lea moved to Texas in 1857 his son Edward remained in Maryland to attend the United States Naval Academy and continue the celebrated military tradition of the family; the same family that would be devastated by fighting each other within the very country they loved.
As a Texan and friend of General Sam Houston, Albert Lea applied for a Confederate commission in March 1861, just one month before the Civil War began. He wrote a letter to his then 26-year-old son advising him to follow his conscience when he made the decision regarding which side of the conflict to support, but added an ominous warning: “If you decide to fight for the Old Flag,” he said, “It is not likely that we will meet again, except face to face on the battlefield.”
Edward chose loyalty to the Union, telling his fellow officers he did not desire his family’s love if it involved being a traitor to his country.
After months of serving in a variety of locations, Colonel Lea was transferred back to Texas on December 15, 1862, staying with his wife and family at a relative’s home in Corsicana.
Once in the area, Lea learned that the Union vessel Harriet Lane on which he believed his son was serving, had been occupying the harbor of Galveston since the Union captured and occupied the island earlier in October. Lea hurried to Houston to long-time friend General Magruder’s headquarters, where he learned that a plan to recapture Galveston Island would be executed within a week.
During the pre-dawn hours of January 1, 1863, Lea helped to move six brass cannons of Captain M. McMahon’s battery across Galveston Island’s rail causeway. Afterward, Colonel Forshey posted Colonel Lea in one of the town’s tallest buildings near Broadway (some reports suggest a church, others Ashton villa) to observe and report the status of the attack.
A severe battle ensued, during which the Westfield, which had run aground off Pelican Spit, was blown up, and the Confederate gunboat Bayou City rammed the Harriet Lane near the wheelhouse, which allowed the Confederate troops to overrun the vessel. The remainder of the Union fleet fled to New Orleans, leaving three companies of the 42nd Massachusetts infantry on Kuhn’s Wharf to surrender. The rebels had retaken the city at a cost that was yet to be seen.
Colonel Lea rushed to Kuhn’s Wharf waterfront near where the battle had taken place. Once granted permission to board the Harriet Lane, he learned that her Union commander, Captain Wainwright, was dead and Lieutenant Commander Edward Lea, the executive officer, had been shot through the stomach.
Making his way through the soldiers pillaging the ship, Lea found his son lying in the cockpit, surrounded by dead and dying comrades.
Dr. Penrose, who was operating on a wounded man, handed Colonel Lea a flask of brandy for his son to sip, telling the grief-stricken father that the wound was mortal.
Cradling the young officer’s head, Colonel Lea said, “Edward, this is your father.”
“Yes father, I know you,” the young man whispered in return, “but I cannot move.”
In a desperate attempt to change fate, the Colonel went ashore to arrange for his son to be moved to the Sisters of Charity Hospital. After relating the events to General Magruder, whom he met along the way, Magruder offered his private quarters for his friend’s son.
While his father was absent, the lieutenant was told that his death was near and was asked if he had any last wishes. With his last breath, Edward replied, “No, my father is here.”
When Albert Lea returned, his brave son was dead. The next day an elaborate funeral procession that included Confederate and Union officers, sympathetic local citizens, a drum corps of prisoners from the battle and a group of Masons in full regalia solemnly carried
Lieutenant Lea and Captain Wainwright from Magruder’s headquarters to a service at the Episcopal Church. Colonel Albert Lea himself delivered the eulogy before the two men were buried with full military honors in a common grave, donated by local business leader W. Grover.
The fair city of Galveston had witnessed the true horror of Civil War violence on a personal level.
In 1866, the body of Captain Wainwright was reinterred with honors at the Naval Cemetery in Annapolis, Maryland.
A wealthy relative offered to rebury Edward Lea’s remains beside those of his mother in Green Mount Cemetery in Baltimore, but
Albert Lea refused. He said he felt it was more fitting for his son to rest where he fell “in sight of the sea and in sound of the surf.”
Albert Lea remained in Corsicana, where he experienced several reversals of fortune in the cotton trade. On the morning of January 16, 1891, Lea died of heart failure sitting alone in his bedroom. He is buried in Oakwood Cemetery in Corsicana.
Ironically, the Harriet Lane itself sustained little damage in the battle, and it visited Galveston as a cargo ship under the name Eliot Ritchie for years to come.
Of all who fought and died on the Harriet Lane’s decks only Lieutenant Lea remains in Galveston. A weathered sculpture of an anchor and binoculars lay on top of a stone that poignantly echoes his last words, “My father is here.”
To see photos from the 2018 re-enactment of the Lea-Wainwright funeral in Galveston, visit:
The Grand Opera House in Galveston was the site of festive “box parties” on Dec. 31, 1912.
A box party occurred when a host or hostess purchased tickets to an entire box at a theatre, and then invited their guests for a special afternoon or evening of entertainment.
Miss Mary Moody was presented with a box to the matinee performance of the play “The Trail of the Lonesome Pine” by Miss Charlotte Walker, a famous Galvestonian who was appearing in the production.
The play had opened the previous January in New York at the New Amsterdam Theatre on Broadway. Walker also appeared in the silent film version in 1916.
Mary’s guests were the Misses Allen, Phyllis Walthew, Anna Mosle, Libbie Moody and Ethel Sykes.
At the evening performance of the play, Mr. and Mrs. Lewis Archer Robertson hosted their own box party with Miss Margaret Robertson, Miss Eileen Allen, Miss Jane Alvey, Miss Winifred Allen, Mr. Fred Austin of Houston, Mr. Charles E. Witherspoon, Mr. Gus I. Arnold, and Mr. Earnest G. Diehl of Cincinnati, Ohio.
This group was especially fortunate, proceeding from the play to the “watch party” (to await the New Year) at the fabulous Hotel Galvez.
I was thrilled this weekend to find a grave marker for a member of the Mosaic Templars of America, in Marshall, Texas.
The Mosaic Templars of America was an African American fraternal organization founded in Little Rock, Arkansas in 1882 and incorporated in 1883 by two former slaves, John E. Bush and Chester W. Keatts.
The organization was established to provide important services such as burial insurance and life insurance to the African American community. Like many fraternal organizations, the Mosaic Templars’ burial insurance policies covered funeral expenses for members, both men and women, who maintained monthly dues.
By 1913, the burial insurance policy also included a Vermont marble marker. These markers are still found in cemeteries across Arkansas and other states. As membership grew, the Mosaic Templars expanded its operations to include a newspaper, hospital, and building and loan association. The organization attracted thousands of members and built a complex of three buildings at the corner of West Ninth Street and Broadway in Little Rock, Arkansas. The National Grand Temple, the Annex, and the State Temple were completed in 1913, 1918 and 1921, respectively.
A blank Mosaic Templars of America [MTA] Monument Claim Form. In order for a deceased MTA member to receive an MTA marker, local chapter officers had to complete and sign the monument claim form to verify that the deceased MTA member had paid all dues and fees, and confirm that the deceased was a member in good standing. They also had to submit the member’s information that was to be placed on the marker, and had to provide a delivery address for the completed marker.
According to their official 1924 history, the MTA authorized a Monument Department as early as 1911 to provide markers to its deceased members. Operations were managed by the state jurisdictions until 1914, when the MTA created a national Monument Department to centralize operations and cut costs. Members paid an annual tax to finance the department, and were promised a marble marker.
A traditional MTA marker had a rounded and forward-sloping top, with the MTA symbol cut into the top center. The name of the deceased member was carved below the symbol, with dates of birth (if known) and death. The name of the local chapter, the chapter number and the city where the chapter was located could be found on the bottom. MTA markers issued by the Modern Mosaic Templars of America appear exactly as the MTA markers except with the word “Modern” carved just above the MTA logo. The dimensions of the markers generally measured twenty-five to twenty-nine inches in height, fifteen to seventeen inches in width, and three to five inches in depth.
The name of the organization, taken from the Biblical figure Moses who emancipated Hebrew slaves, elected the Templars ideals of love, charity, protection, and brotherhood. The organization was originally called “The Order of Moses,” but the founders revised the name to “Mosaic Templars of America” in 1883 during the incorporation process. Modeled after the United States government, the organization consisted of an executive branch, a legislative branch, and even a judicial branch.
The organization struggled to regain its status, but by the end of the decade it had ceased operations in Arkansas.
But I want to also share a bit about Amy since it is her grave marker, after all.
She was born in Tennessee in 1864, to Abner Dollis and Celia Bloodsworth Dollis.
By the time she was 25, in 1860, she was working as a live-in cook in the home of Sheriff William Poland and his family.
Just ten years later she had married, and was the widow of, “John” whose last name was not listed in the city directory. She had a two-year -old daughter named Cely, who was obviously named for Amy’s mother.
By 1912 she supported her daughter by working as a “washerwoman,” and lived at 805 Riptoe Street in Marshall, where only a couple of older homes still stand.
Her death certificate lists her father as Abner Dollis, and her cause of death by apoplexy (the term commonly used for a stroke).
Her daughter Pearl (this was possibly a middle name for Cely), a public school teacher, married Rufus Brown. In 1910, the couple was living with Amy in her home.
Amy died of apoplexy (a term commonly used for stroke), in 1928.
Amy Dollis’ marker, the one I spotted in Marshall, is not in the database being created by the curator of the Mosaic Templars Cultural Center at this time, so I was thrilled to be able to share the find with them.
The two recent hurricanes, Harvey – which hit my hometown and state, and Irma – which hit Florida, brought to mind an unusual antique photo that I ran across a couple of years ago.
It depicts what are obviously funerary floral tributes featuring seafaring imagery. I was intrigued enough that I needed to find out more about them — a task that was simplified by the fact that their full names were spelled out in the flowers
Two marines, James Franklin Robinson of Ohio and Bardie Wayne Ray of Mississippi, were washed overboard and drowned when the United States’ battleship New Hampshire, proceeding to the Mexican coast, ran into a hurricane off the Florida coast in August 1915. The accident was thought to have happened somewhere just south of the Florida coast in the gulf.
Robinson’s mother Mrs. W. A. Robinson, who lived at No. 222 West Street in Uhrichsville, Ohio and Ray’s mother, Maude Ray Holcombe,were notified that the bodies were never recovered.
The ship was returning to exercises off the east coast to Vera Cruz.
The floral tributes were displayed onboard during a funeral at sea, held by his shipmates.
The immense hurricane proceeded through the gulf, striking Galveston. It would be the first great test of the island’s new seawall. Thankfully, the test was a success, and damage in no way resembled the horror that Galvestonians experienced 15 years earlier.
Many people assume that the majority of Galveston hauntings stem from the 1900 Storm. While it’s true that the overwhelming loss of life during that hurricane contributed to the population of restless spirits of the island, entities were experienced long before the waves of 1900 washed across the city.
In January of 1894, Galvestonians were talking about the wraith of a woman seen on the West End. She was said to be the spirit of a woman who had drowned in the neighborhood years before.
Appearing at midnight and clad in a calico gown, she clutched a shawl that was drawn around her shoulders and beneath her chin. Moving slowly and deliberately she moved from the east end of Pier 33 to the west end, then going over the edge.
There were different theories at the time as to whether she had fallen or jumped, but no sounds of footsteps or a splash was ever heard. If witnesses rushed to the end of the pier to look, there was no sign of her in the water.
Was she distraught from the loss of a child during a Yellow Fever epidemic, or a husband lost at sea? Was she a victim of the harsh life experienced by many during the rough, early years of the city? It seems her identity and story will remain a mystery.
In 1894 that area, home of the newly constructed Moody Cotton Compress, was bustling with business and waterfront workers, but as 12 o’clock neared…no one ventured toward Pier 33, at one time called Western Wharf.
The sad spirit became such a regular occurrence, that even those who lived nearby avoided the area around the midnight hour.
Today grand cruise ships past the spot of the ghost’s appearance on their way to dock at the cruise terminal. I wonder if she even notices.
Read more tales of Galveston’s spirited past in ‘Ghosts of Galveston’ from The History Press.
When I found this amazing (and immense) Woodmen of the World grave marker in Glenwood Cemetery in Houston, I had no idea that the person who rests here had important ties to Galveston.
Alexander Sessums (born in 1830 ) came to Texas and married Mary Howell Runnels (born 1835 in Houston) in 1854.
He became an important cotton and wool factor in Galveston, eventually also purchasing the wholesale grocery supply on the Strand from Ware & McKeen. Sessums also ran a mill in Houston.
Sessums’ office was upstairs in the John Berlocher Building (2313 Ships Mechanic Row, across from the Tremont Hotel) which was built in 1858. At the time, the Berlocher was four stories, only three of which remain.
Alexander died at the young age of 43 in 1873.
His monument at Glenwood definitely signifies his success in business, towering over surrounding markers. A beautiful example of Wo
odmen of the World gravestones, the marker shared by Sessum and his wife features morning glories (symbolizing resurrection), roses (symbolizing beauty, for Mary) and acorns (symbolizing immortality for Alexander).
“Broken branches” lay at the base, with individual inscriptions for Alexander and Mary.
It’s well worth the trip to Glenwood to see this stunning sculpture in person.
CLICK HERE for a video showing the entire monument:
Having wandered through countless cemeteries in the past forty years, I can easily recognize most of the common iconography or symbolism used to decorate the markers. That makes it especially exciting to see something new (to me).
This unusual marker in Galveston’s Calvary Catholic Cemetery features two lambs resting their heads together, marking the grave of two siblings, each of whose inscriptions is featured on opposite sides of a double-sided stone.
Happily the children’s names are on the stone. So many markers of this type only identify small children as “Son of” or “dau. of” and give the parents initials or names. Their parents remain a mystery however, for the same reason.
Born June 29, 1888 and died Sept. 30, 1888.
Dearest loved one, we have laid thee
in the peaceful grave’s embrace,
but thy memory will be cherished
till we see thy heavenly face.
Almost exactly one year after their daughter’s death, a son was born to the couple. But that joy was short-lived as well.
Sept. 10, 1889 and died Dec. 26, 1889
‘Tis hard to break the tender cord
When love has bound the heart
‘Tis hard so hard, so speak the words
Must we forever part
Losing a child so close to Christmas always seems especially poignant.
There are almost two full pages of Andersons in the local directory during this time period, and unfortunately no further clues as to the identity of the parents at this time. Looking for other Andersons in the same cemetery failed to provide more leads as well due to the number of seemingly unrelated individuals with that surname.
Both of the children were just three months old. I wonder if the couple had any more children who survived, but likely will never know.
Although I occasionally run across a rare exception, lambs on gravestones denote the resting place of children and symbolize purity and innocence. This symbolic use of the lamb pre-dates Christianity, being used first by the Egyptians.
Many lamb figures on grave markers from this time period are missing their heads, or so severely eroded that they appear more like a lump than a small animal. This one is lucky, perhaps because of the strength of their necks resting against each other, to still be intact.
I wonder if there are any family members left on the island to visit this poignant remembrance.
An unassuming, concrete grave marker people might wander by, thinking surely not much of a story could lie here. They would be wrong.
The first clue that this is no regular grave is in its location: the Captain Joe Byrd Cemetery in Huntsville, Texas. This cemetery is located about a mile southeast from the Walls Prison Unit and contains over 2,000 graves of inmates who either died in Texas prisons or were executed Graves of inmates whose bodies weren’t claimed by family or friends.
The male graves far outnumber the female sites, which makes them especially intriguing.
Though her marker states her age as only 27, she was actually 34 years old (born in 1895)…still so young to die.
When she was just a teenager, Judy Bell Tally married Jessie Burse. The couple lived on a farm in Gilmer, in Upshur County, Texas and had a daughter named Estelle in 1913.
It was not a happy marriage though. Jessie had a terrible temper was abusive to Judy, even whipping her.
Judy sought consolation in another man’s arms. Her lover, George Anderson, was enraged by the whippings and stated to friends that he was going to “get his meanness on” and kill Jessie.
After spending the day at the home of Judy’s father, Will Tally, George and Judy left around midnight to walk to her home. They had no idea they were being followed.
The couple stopped in a plum thicket to make love (three times, according to court records), and afterward were sitting together talking when her husband Jessie came up the path. Judy cried “There’s someone with a gun,” and Jessie, brandishing a stick in one hand and a gun in the other, yelled “I’ve ****** got you!” He raised his gun to take aim but George shot first, killing Jessie immediately.
According to trial records, George explained, “when he done that of course, I, just like any other man would do to protect myself, I shot. She insisted on me taking the gun to kill her father a rabbit, that’s why I taken the gun.”
He and Judy Bell then picked up Jessie’s buckshot ridden body and carried it to a thicket about four hundred yards away. It was a dark night, and no one else was in the area.
The body was soon found by accident, and by April the couple was being tried for murder.
George Anderson pled not guilty, but was sentence to 99 years. Upon arrival at the Darrington Prison Unit in Huntsville he was assigned inmate number 49518.
Judy Bell Burse also pled not guilty. She was convicted on August 12, 1922 and sentenced to 40 years. She was incarcerated at the Goree Prison Unit in Huntsville, which was a women’s prison at the time. Her inmate number was #48471.
Judy was considered an ideal inmate and was soon named a trustee, being given special responsibilities in the prison. Unfortunately, she died of pancreatic cancer in January of 1929, never seeing freedom again. She must have “fibbed” about her age, as her marker lists it as being 27. She was 34.
On the other hand, George was constantly getting in trouble for his temper, imprudence and “laziness.” The harsh punishments of the day didn’t deter him, and probably fueled his rage. His second escape attempt, on June 26, 1924, was successful and he was never recaptured. The last word in his prison log is “Gone”.
I wonder if he knew or cared that Judy died five years later.
And there is no trace of what became of Judy’s daughter Estelle. She was perhaps the most poignant and certainly the most blameless victim of the crime.
There’s always so much more to the stories behind the stones than an inscription can reveal.